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Part of Summary of Articles/ Polska Sztuka Ludowa - Konteksty 1963 t.17 z.1
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QUARTERLY PUBLISHED BY THE ART INSTITUTE OF THE POLISH ACADEMY OF SCIENCES
N. 1
Y E A R BOOK X V I I
1963
SUMMARY O F A R T I C L E S
Michał Walicki — THE MASTER ARTIST OF THE
PINEWOOD CHURCH
The author of the article discusses the polichrome
paintings in the church at Libusz (Cracow Voivodship), which, although they are not folk art, could
have been of importance for it as a source of inspi
ration. This polichrome painting represents guild art.
Features of Renaissance art are to be found here
together with remnants of late Gothic. On the ceiling
there are medallions with compositions of figures
bordered with twining plant motifs (fig. 3, 4). The
ceiling and the triptych in the main altar are the
work of one and the same artist, to whom a number
of other well known historical paintings of that
period can also be attributed (fig. 15, 16, 18, 19, 26).
Not only can common features of workmanship and
similarity of composition be seen in these paintings,
but also common graphic patterns (fig. 12, 20).
Aleksandra Jacher-Tyszkowa
— JAN LAMĘCKI,
SCULPTOR AND DIARIST FROM DĄBROWA
ZIELONA
Jan Lamęcki, one of the most interesting con
temporary folk sculptors, was born in 1893 in the
district of Radom. As a child, he spent the years
1906—1908 in service and later left for Germany
to find work. He returned from Germany after
the First World War. He began sculpting when still
a child. He grew up among sculptors who carved the
traditional figures of saints in Częstochowa and the
surrounding districts. But Lamęcki brought his own
individual values into his work, basing it on his
own observations of the world surrounding him
rather than copying the figures he saw being carved.
Lamecki's sculptures had both religious and lay
motifs, the latter showing a particularly dynamic
development in recent years, since the „discovery"
of this artist by the A r t Institute in 1956. Lamecki's
sculptures have won him fame and ready purchasers
both in this country and abroad. Another branch
of his work are toy figures moved by mechanism
designed by the artist himself. He is also the author
of an extensive diary, that is interesting both be
cause of the anecdotes it contains and the infor
mation he gives, which is valuable for ethnographers,
sociologists and historians.
Bożena Zukowicz
— JÓZEF KAZIMIERCZAK'S
CERAMIC WARE
Józef Kazimierczak is today the leading repres
entative of Kashubian ceramic ware, although he
was not a Kashubian by birth. He was born of
a miner's family (that had emigrated to earn a liv
ing). When the family returned to Poland they settled
in Toruń. As a boy in his teens, he went to live
in Gdynia in 1929 and began working there as
a potter's apprentice in the well known workshop
of F. Necel. Later he went to work in Meissner's
potteries at Kartuzy, where he also worked after
the war, mainly as a stove fitter. In 1950, when the
potteries became a regional Folk A r t Cooperative,
Kazimierczak went back to pottery. His main achie
vement was a departure from the prevailing Ka
shubian tradition of ornamented multi-coloured ce
ramic ware and the revival of the older traditions
and forms of pottery in one colour. He introduced
a change in the character of the old pottery by the
use of black, shiny glazing and adapted the old forms
to the new decorative and utility needs. Kazimierczak's ceramic ware has won great popularity and
its export has brought in foreign currency equal
to 100,000 Polish Zlotys, which accounts for 1/6 of
the total production.
Malgorzata Matusek — TECHNIQUE OF RUGS WITH
THREADED PATTERNS FROM THE VILLAGE OF
OGNIWO (LUKÔW DISTRICT) AND VICINITY
The technique of making rugs with threated
through patterns was introduced in the village of
Ogniwo during the First World War by the Babianka
sisters. The specific feature of these rugs is the
background of woven linen and the pattern threaded
through it. The author of the article gives a detailed
description of the weaving technique. Different tech
niques are used for different patterns: Type I (fig. 1),
where the whole surface of the rug is covered with
a check pattern on the woven linen background;
Type 2 (Sig. 5) consists of a set of rosettes scattered
evenly over the whole surface of the rug; Type 3
(fig. 3, 4) consists of a square filled in with a che
quered pattern with four rosettes in the corners;
Type 4 (fig. 6, 7) is a check pattern made up of four
squares or rectangles.
The rugs are almost always in two colours and
often have a border (fig. 8).
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CZASOPISMA
INSTYTUTU SZTUKI PAN
wydawane przez
P.P. WYDAWNICTWA ARTYSTYCZNE I FILMOWE
BIULETYN HISTORII SZTUKI, kwartalnik, ponad 100 str. dużego
formatu, około 100 ilustracji. Cena 24 zł, prenumerata półroczna 48 zł,
roczna — 96 zł.
POLSKA SZTUKA LUDOWA, kwartalnik, 64 str. dużego formatu,
bogaty materiał ilustracyjny. Cena 18 zł, prenumerata półroczna 36 zł,
roczna — 72 zł.
PAMIĘTNIK TEATRALNY, kwartalnik, ponad 170 str. druku, około
100 ilustracji. Cena 18 zł, prenumerata półroczna 36 zł, roczna — 72 zł.
KWARTALNIK FILMOWY, około 100 str. druku, kilkanaście ilustracji.
Cena 10 zł, prenumerata 20 zł, roczna — 40 zł.
MUZYKA, kwartalnik, około 130 str. druku, liczne przykłady nutowe.
Cena 18 zł, prenumerata półroczna 36 zł, roczna — 72 zł.
PRENUMERATA
Zamówienia i przedpłaty na prenumeratę przyjmowane są w terminie
do dnia 15-go miesiąca poprzedzającego okres prenumeraty — przez:
Urzędy Pocztowe, listonoszy oraz Oddziały i Delegatury „Ruchu".
Można również zamówić prenumeratę dokonując wpłaty na konto
PKO nr 1-6-100020 — Centrala Kolportażu Prasy i Wydawnictw
„Ruch" — Warszawa, ul. Srebrna 12.
Cena prenumeraty za granicę jest o 40%> droższa od ceny podanej wy
żej. Przedpłaty na tę prenumeratę przyjmuje na okresy półroczne
i roczne Przedsiębiorstwo Eksportu i Importu „Ruch" w Warszawie,
Wilcza 46, konto 2-6-71 w Narodowym Banku Polskim w Warszawie,
ul. Warecka 10.
SPRZEDAŻ
Egzemplarze zdezaktualizowane można nabyć w sklepie „Ruchu" przy
ul. Wiejskiej 14 W Warszawie. Zamówienia spoza Warszawy należy
kierować do Centrali Kolportażu Prasy i Wydawnictw „Ruch", War
szawa, ul. Srebrna 12.
Aktualne numery czasopism Instytutu Sztuki PAN są do
w większych księgarniach miast wojewódzkich:
Białystok — Lipowa 43
Bielsko — Dzierżyńskiego 3
Bydgoszcz — 1 Maja 17, Dwor
cowa 14
Bytom — Kościuszki 4
Chorzów — Wolności 13
Częstochowa — A l . NMP 8
Gdańsk-Wrzeszcz — Grunwaldz
ka 8
Gdynia — Świętojańska 47
Gliwice — Zwycięstwa 31
Grudziądz — Rynek 13
Inowrocław — Królowej Jadwi
gi 31
Kalisz — Śródmiejska 14
Katowice — Warszawska 11
Koszalin — Młyńska, blok 12
Kielce — Sienkiewicza 30, Sien
kiewicza 60
Kraków — Podwale 6
Lublin — Krakowskie Przed
mieście 68
nabycia
Łódź — Piotrkowska 102a
Poznań — Marcinkowskiego 21,
Armii Czerwonej 37
Przemyśl — Franciszkańska 19
Radom — Żeromskiego 27
Rzeszów — Kościuszki 3
Sandomierz — płk. Skoperiki 4
Słupsk — PI. Zwycięstwa 11
Sopot — Bohaterów Monte Cassi
no 26
Sosnowiec — Czerwone Zagłę
bie 23
Toruń — Rynek Staromiejski 30
Warszawa — Krakowskie Przed
mieście 7, Kredytowa 9, Pięk
na 31/37, Bracka 20, Nowy
Świat
35, Rynek Starego
Miasta 22/24
Włocławek — 3 Maja 25
Wrocław — Kuźnicza 42
Zabrze — Wolności 276
>
Stołeczne Z a k ł a d y Graficzne.
D . W . W - w a , P o d c h o r ą ż y c h 39. Z a m . 89
i l u s l r . k l . I I I I , 120 g B I + k a r t o n b i a ł y k l . I I I , 220 g. B I . N a k ł a d 1 300 egz.
Pap.
L-57